Posted by: Stephen Caulfield | December 31, 2010

The Best Of 2010

I think that 2010 has been a very interesting year for music, films and television. I thought it would be nice to share with you all which of those have been the best for me in 2010.

Music

Obviously 2010 was a very special year for me because I release my first two singles, Make It Better and Tonight. I also found myself being played on BBC Radio and then being interviewed as well which was all very lovely. However apart from that, what have been my other highlights?

Albums

Ellie Goulding – Lights

Ellie Goulding came out on top of the BBC Sound of 2010 list at the end of 2009. It showcases acts that they believe will make a big impact in 2010. When I heard the first major single released from the album ‘Starry Eyed’ I have to say I didn’t really like it that much. Then as I heard it more and more I really grew to love it. I loved the way that the song was produced, especially all the cut up little bits of vocals. When I heard the second single ‘Guns And Horses’ which I thought was straight out brilliant, I went and bought the album straight away. I have to say that I was blown away by how good it was. I started playing it in the background while I was pottering about and I kept coming to check was that name of a particular song was as I had liked it, I soon realised I was doing this for each of the songs on the album. In fact I’ve just made a quick playlist in iTunes of the songs I have played most in 2010 and ‘Guns and Horses’, ‘The Writer’ and ‘Your Biggest Mistake’ are the top 3, and they are all from this album.

 

Babybird – Ex-Maniac

I’ve been a very admiring fan of Stephen Jones, better known as Babybird, ever since I first heard ‘Your Gorgeous’ back in 1996. There is something about his songwriting that I find very appealing; Simple chord structures, fantastic melodies and absolutely fantastic lyrics. There aren’t many songwriters that can get away with writing about such dark themes and subjects whilst still coming up with songs that you actually want to listen to.

 

 

Gorillaz - Plastic Beach

I’ve always like Damon Albarn. For me it’s nice to see a musician who clearly loves making music so much that he has to find as many different bands and projects as he can to get it all out. I have found the previous Gorillaz’s albums to great, but a touch patchy. I think that this can end up happening when you work with so many guest artists. However Plastic Beach was the Gorillaz album where it all came together for me. I really feels like one cohesive album that takes you on a journey from beginning to end.

 

 

The Divine Comedy – Bang Goes The Knighthood

Neil Hannon is a real hero of mine and I’ve been a fan since I first heard the album Casanova in 1996. In the years since then there have been some fantastic albums released, but I was really sad to here in 2007 that Parlophone had dropped them from the label. However the music industry is not like it used to be fortunately and you no longer need major record company support to release an album. So I was very pleased when Bang Goes The Knighthood appeared in iTunes and I was able to buy a copy. I feel the album is a rather splendid return to form for The Divine Comedy. I only had to start playing the first song ‘Down In The Street Below’ and I was immediately reminded why I’ve been such a fan all these years.

 

Two Door Cinema Club – Tourist History

I bought this album without knowing anything about the band or having even heard any of their songs (or so I thought at the time). Sometimes I get a bit of a gut instinct about a band and buy their album on the off chance it’s good. In fact I discovered the rather wonderful American band Death Cab For Cutie in this way, so I guess I’ll keep it up. Anyway, I bought the Two Door Cinema Club album, put it on my iPod and went for a walk around town listening to it. Fortunately it was brilliant.

 

 

Vampire Weekend – Contra

Vampire Weekend were one of those band that I really thought that I didn’t like and then before I knew what was happening I was buying their albums and hoping they would appear on the Reading Festival bill in 2010 (they didn’t). I think it’s because sometimes there is a fine line between catchy and annoying. Most things seem to work they other way round, you find it catchy at first and then after the 1042nd time it’s played on the radio, it becomes annoying and you never want to hear it again. However Vampire Weekend seemed to move in the opposite direction for me. As a result of this it took a bit of work to get into the album Contra, but many of the best albums are like this, but soon enough I loved it. I think the closing song ‘I Think UR a Contra’ is one of my favourite songs of the year.

 

Band Of Horses – Infinite Arms

In the same way as I described for Two Door Cinema Club above, I suspected I would like Band Of Horses long before I actually heard what they sounded like. I think it may be to do with the covers of their albums, which always look beautiful. But it was actually through the Reading Festival in 2010 that I actually heard them for the first time. The BBC coverage of the festival showed a few songs from their set on the NME/Radio 1 stage and I had a bit of a lightbulb illumination moment. I bought Infinite Arms and thought it was fantastic. So fantastic in fact that I went and bought all their back catalogue as well.

 

 

Thomas Dolby – Oceanea & Amerikana EPs

Okay so strictly speaking these two EPs are not an album, but together they do make a very nice mini album. Beside, I have been waiting for so many years for Thomas Dolby to release some new music that I’ll find any excuse to go on about it. Thomas Dolby’s last proper album was ‘Astronauts & Heretics’ back in 1992 and it still remains one of my favourite albums to this day. Since then Thomas became a technical genius out in California founding some very successful companies. However in 2006 I was delighted to hear him announce that he was making a return to music. He built himself a studio in an old boat with a view out to sea and started work on the album ‘A Map Of A Floating City’. The album is being released first in EP sized chunks to his fan club and the first two parts Amerikana and Oceanea were released in 2010. Fortunately they were worth the wait and I was reminded what an amazing Songwriter and Producer he is. My favourite tracks change frequently, but I do have to say that the tracks 17 Hills and Oceanea are two of the most beautiful songs I have heard all year. I can’t wait for the full album in 2011.

Plan B – The Defamation of Strickland Banks

Who knew it could work? East End rapper makes a concept album that fuses soul, hip-hop and early 70s rock. For some reason it did work and it was marvellous. And what a single ‘Stay Too Long’ was. Fantastic!

 

 

 

Peter Gabriel – Scratch My Back

I really did have to think very hard about whether to include this album in my list. One the one hand without doubt it contains some my favourite songs of 2010, however on the other hand it contains a song that I hate so much I never want to hear it again. Ever. Peter Gabriel’s concept for the album was to do an album of cover songs he likes featuring just vocals, piano and orchestra. This is a lovely idea and it suits his voice very well indeed. In particular the versions of Heroes, Flume, The Boy In The Bubble and The Book Of Love are amazing, however over the course of the album the concept starts to wear a little thin. I had high hopes for the closing track ‘Street Spirit (Fade Out)’ as it is one of my favourite Radiohead songs. However I’m afraid to say that I find this version pretty much unlistenable. Sorry Pete.

So those were the albums that did it for me in 2010. There were some other stand alone tracks that I thought were fantastic in 2010 too.

Songs

Elbow – Mercy Street (Single)

When Peter Gabriel released his covers album Scratch My Back, he invited the artists he had covered to cover a song of his. This immediately sounded like a good idea to me as it meant that Elbow, one of my favourite band, would be doing a Peter Gabriel cover. This was especially interesting as I have always thought that Guy Garvey’s voice has a touch of the Peter Gabriel about it. They chose to do Mercy Street, which is my favourite song from the So album and the resulting song was lovely.

 

 

Example – Kickstarts (from Won’t Go Quietly)

Example has a succession of great singles in 2010 and Kickstarts was the best for me. There is something so damn catchy about that in your face synth hook that drills slowly but surely into your brain and won’t let go. Sadly I found the album to be a little bit disappointing, but hopefully this is just the beginning for Example.

 

 

 

Brandon Flowers – Welcome To Fabulous Las Vegas & Crossfire (from Flamingo)

Two excellent tracks from Brandon Flowers from the Killers’ solo album Flamingo. The first track ‘Welcome To Fabulous Las Vegas’ is a splendidly epic opening to the album and the first single ‘Crossfire’ had a chorus and middle 8 that I would love to write myself. The rest of the album was pretty good too.

 

 

 

Take That – Eight Letters (from Progress)

So the return of Robbie Williams to Take That also heralded a change in producer and sound for Take That. Personally I really liked the new direction and I think that if you are going to go a particular sound on an album you need to commit to it. Take That certainly did that and all credit to them for it. There are some really great songs on the album Progress, however the is one major flaw and that is that Gary Barlow has let the other members of the band take the majority of the lead vocal duties on the album. It says a great deal that the best track on the album is the one on which Gary takes lead vocal, Eight Letters. I really like the lo-fi production and the Ultravox influence on the piano line in the chorus.

 

Will Young – Golden Slumbers (from Dermot O’Leary Presents The Saturday Sessions)

A really fantastic cover of The Beatles’ Golden Slumbers that is merged rather fantastically with You Never Give Me Your Money as performed live by Will Young whilst on Dermot O’Leary’s BBC Radio 2 show. It was so good in fact that I immediately sat down at the piano and worked out how to play it.

 

 

 

Mitch Benn – I’m Proud Of The BBC (Single)

I’m a huge fan of the BBC and the amazing amount of fantastic output that it creates. However in 2010 it has come under a great deal of criticism, largely from Rupert Murdoch’s News International Empire and newspapers such as The Daily Mail, obviously the phrase about glasshouses springs hugely to mind. A great deal of the criticism seems to be directly at the way the BBC is funded via the Licence Fee and the supposed poor value for money this offers with regard to the more niche output offerings of the BBC such as BBC 4 and 6Music. However for me it is precisely the fact that the BBC is funded in this way under the proviso that it represents the minority as well as the majority (something the criticism always seems to ignore) that allows it create programmes that are bold and daring and not at all mainstream and commercial. This song by the comedian Mitch Benn perfectly sums how I feel about the BBC and the sentiment that people will only realise how it good it is when it’s gone.

 

Coldplay - Christmas Lights (Single)

Coldplay are one of those bands that have barely ever put a foot wrong for me, yet seem to be disliked almost in equal amounts to how much they are liked. I think this may come down to how hugely successful they have become. However for me it is all about the music and I was delighted when on their last album ‘Viva La Vida or Death and All His Friends’ they teamed up with my dream producer Brian Eno to make what I think it their best album to date. It’s been quiet now for a year or two while they work on their new album, but I was really pleased to see this special Christmas single being released. It’s took a while to grow on me, but soon enough I found myself hooked.

 

Ben Folds & Nick Hornby – Password (from Lonely Avenue)

I can’t really put my finger on it, but I found myself going off Ben Folds over the past few year. I think it was a succession of things including a so-so gig at Shepard’s Bush Empire (a venue that I really dislike) and the fact that I really disliked the way his last album ‘Way To Normal’ was mastered. It may sound a bit weird, but I found far too loud. There is a bit of a growing trend in music at the moment at the moment to make everything as ‘loud’ as possible so that it stands out as much as possible when you hear it on the radio and so on. This is done at the mastering stage of producing and is done by using compressors and limiters to squash the dynamics of track down, so that the overall level of the track can be higher. When done right it can be used very well to make the track ‘pop’ ad make it sit well with the other tracks on the album. However when this process is pushed far to far is ruins the dynamics of the tracks and leads to something called ‘listener fatigue’. Essentially with me this manifests itself when a track that is mastered like this comes on my iPod when it’s on shuffle and it feels like you’re being smacked around the ears by music. And not in a good way. Anyway, I digress. I was very please therefore when I got hold of the new album by Ben Folds which has been written with the author Nick Hornby providing all the lyrics. Not only is listening to album not like being punched in the ears, it also contains some of his best songs for years. The highlight for me being the song ‘Password’ which manages to be very clever, whilst also being heartfelt at the same time.

Bruno Mars – Just The Way You Are (Single)

Pop seems to be a bit of a dirty word to some people, they almost seem to be ashamed and frightened that they will lose their cool if they admit to liking a Pop song. Not me though, a good song is a good song regardless of genre (if Pop is even a genre). And a great song is a great song and that’s what I think of ‘Just The Way You Are’ by Bruno Mars. Infectious is probably the best way to describe it and I think it says a great deal about it as song that it was already being covered on The X Factor while it was still in the charts. Regardless of what you think of The X Factor, this means that it has crossed over into the public consciousness which is pretty good going for a first single!

 

Kele - Tenderoni (from The Boxer)

I’m a massive fan of the band Bloc Party from which Kele is the lead singer. I thought that the single ‘Tenderoni’ which was the lead single from his solo album ‘The Boxer’ was fantastic. A sinister blend of pulsing synths and pumping beats mixed with Kele’s distinct vocals made it a bit of anthem for me over the summer.

 

 

 

Okay so that’s it on the music front. I’m sure that there are loads of others that I have missed that I will no doubt kick myself for later.

Films

Scott Pilgrim Vs The World

I had been waiting for the film for a long time. As a big fan of the Comic Books and an even bigger fan of the director Edgar Wright I hoped that this would live up to the impossible high standards I had set for the film in my head. Despite all of this, I was absolutely blown away by how good it was. Without a doubt it is my favourite movie of the year and the first film in a long time that I have been to see multiple times at the cinema. There is so much in it that you get something new from it each time that you watch it. It is very difficult to try and describe the film to anybody, but essentially if you like music, films, comics, or computer games they you should see this film. It also contains the funniest shot of someone drying their hands after using the bathroom that has ever been committed to film. If you don’t like it, let me know and I’ll pop around and stare at you for a bit.

 

Inception

I’ve been a huge fan writer and director Christopher Nolan ever since I had my brain fried by the film ‘Momento’ in 2010. I very much enjoyed his two Batman films and I’m looking forward to the third, but I was very please to seem him returning the brain teasing territory as ‘Momento’. Before going to see ‘Inception’ at the cinema I tried to avoid hearing anything about it in order not to spoil anything about it. I think that is the best way to approach a film such as this, you need to try and work it out in your head as it plays out to you in the way that it’s supposed to. If you know a spoiler beforehand you watch the film from a different angle which often spoils it, especially as Christopher Nolan seems to wants you to make up your own mind, rather than have it spelt out to you.

 

Let The Right One In

This Swedish film has been around for a few years now, but it was only in 2010 that I managed to see it. It takes something special to bring something new to any genre, horror especially. ‘Let The Right One In’ was genuinely scary, creepy and desolate yet at the same time touching and beautiful. Not easy to pull off.

 

 

 

The Social Network

When I first saw the trailer for this film I thought that it looked like one of the worst and misguided film ever to be made. I enjoyed the numerous spoof trailers that appeared online and I joined in the chorus of ‘Who wants to watch a film about Facebook?’ to people I spoke to. Well this film certainly seemed to wrong a lot of people including me, I had to read and watch numerous reviews of it before I saw the lights and watched it. It’s fantastic and of course the genius of it is that it’s not really about Facebook at all. Maybe next time I’ll pay more attention to who the writer and director are and I won’t right things off so easily.

 

 

Kick Ass

Again this is another film that I went to see without really knowing anything about it. It’s also a film that seems to split people right down the middle with no middle ground between love and hate. Personally, I though it was really great, entertaining and had a surprising amount of satire and pathos. A lot was made of the violence, particularly around the character ‘Hit Girl’ and her relationship with her father (Nicolas Cage doing the best Adam West Batman impression, his best role for years) but I actually thought that this was dealt with incredibly well.

 

 

Toy Story 3

For me Pixar are by far the best film studio making films at the moment. Not only do that make huge blockbusters that are visually amazing, but they also take risks and do things in their films that nobody else making ‘kids’ moves would ever do. I think their film ‘WALL-E’ from a few years ago is one of the best films ever made. This year saw the Toy Story trilogy coming to an end and once again Pixar delivered a wonderful film that was heartwarming and also achingly sad all at the same time. Absolutely wonderful.

 

 

Four Lions

Christopher Morris is one of my favourite comedians. Through programs like ‘The Day Today’, ‘Brasseye’ and ‘Jam’ he pushed comedy into the areas that I feel it has a duty to explore. This year he made his film directing debut with ‘Four Lions’. As you would expect from him, taboo subjects are not off limit and I cannot think of many other comedians that would even dare to approach a subject like suicide bombings. However go for it he does and it works brilliantly. I’ve never been to a film before that pushes you through so many different emotions, but by focusing on the characters he pulls it off and it’s a very funny and moving experience.

 

 

TV

How I Met Your Mother

This series has been running for years on America television, but I only found out about it in 2010. The series soon became a major addiction and we raced our way through all the episodes in no time at all. Essentially it’s a similar scenario to ‘Friends’ in that it’s about five friends that live and work in New York. However the genius about it is that the whole series is told as a story the character Ted is telling his children in 2030 about the events that are happening now. This set up enables the writers to do some fantastic things that allow the whole serious to have big story arcs, when normally a series such as this is very episodic. I can’t get enough of it and I’m recommending it to almost everyone I meet.

 

Sherlock

I was incredibly excited when I read out this series. It seemed like a dream come true, Sherlock Holmes in a modern day setting (something I always thought could work) and written by Mark Gatiss and Steven Moffat, two of my favourite writers. Fortunately the result was as good as I could have hoped for and the two lead performances from Benedict Cumberbatch and Martin Freeman were splendid too.

 

 

 

Doctor Who

2010 was the year when the relaunched Doctor Who finally found it’s feet. Since it returned in 2005 that have been stunning episodes and I thought David Tennant was a great Doctor. However there were also some truely awful episodes as well that are best forgotten. However one of the threads that ran through all the great episodes is that a large number of them were written by the same person, Steven Moffat. I was delighted therefore when for the 2010 season Steven Moffat took over as head writer and showrunner. The quality of writing both from Moffat himself as well as the other writers over the course of the series was fantastic and the series featured some of the best episodes ever. Of course there was also a new Doctor – Matt Smith. I had already been really impressed by him in the television versions of the Philip Pullman books ‘The Ruby In The Smoke’ and ‘The Shadow In The North’ and I thought he made a fantastic Doctor. Roll on 2011.

 

The Trip

I must admit that I thought that a television show of Steve Coogan and Rob Brydon going around to nice restaurants in the country and talking to each other sounds quite interesting, however I didn’t think it would turn out to be one of the television highlights of 2010. What a fantastic series this was, fantastic writing, brilliant performances and amazing direction. It managed to walk the fine line between funny and pathos brilliantly and I still laugh about the Michael Caine bit every time I think about it.

 

 

Dishonourable Mentions

Where there is good, there is also bad. Unfortunately I happened to watch a couple of them.

Lost

I don’t even want to talk about it because if I did, we’d be here all day. Let’s just say I stuck with it to the end. Then I gave away all of my Lost DVDs. The first time I ever done anything like that. Maybe with time, I’ll get over it one day, but I know I’ll never get all those hours back ;-)

 

 

 

Jonathan Creek – The Judas Tree

I’ve got a soft spot for a really good murder mystery and I have really enjoyed Jonathan Creek in the past. It’s always pretty far fetched, but that’s part of the charm. The special episode ‘The Judas Tree’ crossed a line for me though. It was impossible to solve, or for that matter even get close to figuring out what happened before the reveal in the finale. This was because there was a crucial bit of back story to two of the characters that they didn’t reveal to you. Arrgghh! What’s the point in watching it?

 

 

Happy 2011 Everybody!

Stephen.

Posted by: Stephen Caulfield | November 28, 2010

Writing and Recording In Portmeirion

We recently had a holiday at the lovely and beautiful Portmeirion Hotel in Wales. It is one of my favourite places in the world, quite unlike anywhere else that I have visited. You may have seen it before because of the splendid television series The Prisoner that was filmed there in the 1960s. We have stayed there lots of times over the years, but this was the first time we had been there for a while.

We decided that we would like to use this holiday as a writing and recording trip, so I decided to take with me a few instruments, some bits of kit from my studio and a couple of things that I bought especially for the purpose. The room that we were staying in had a separate bedroom and living room, so I was able to set all the equipment up in the bedroom without disturbing Wanda, who could get on with her writing in the living room.

I didn’t really fancy carting my Mac all the way to Wales (and use up all the space in the car), so I decided that I would keep it simple and use our Macbook. I thought about installing Logic Pro on to it, as this is the recording software that I like to use in the studio, but again I thought simplicity was best so I decided to use Garageband. For those that don’t know, Garageband is a free application that you get when you buy any Apple Mac and it is basically and entry level sequencer and multitrack recording application. I say entry level, but you can do some very sophisticated and complicated things with Garageband, so it was perfect for this trip.

Garageband includes lots of loops, virtual instruments, guitar amps and effects built into it so the only other things I needed to bring with me where ways either making noises or playing these virtual instruments. I brought the Novation Remote 61SL from my studio as a master keyboard as it’s very light, but is also an excellent keyboard to play on. I installed on of my favourite virtual instruments on the Macbook, Pianoteq. This is an outstanding virtual piano instrument which uses physical modelling to create the piano sounds, rather than samples, which means I didn’t have to bring an external hard drive with me. I also brought along my Fender Telecaster so I could use all of the virtual amps and effect pedals within Garageband, some of which were very impressive indeed.

I decided to buy a new microphone to take along with me on the trip. I’ve previously written about how much I like the Blue Bluebird microphone which I have used a lot in my studio. I didn’t really want to take it with me as mics like that can be very sensitive to vibrations, temperature and moisture,  so I didn’t think travelling with it would be a great idea. However I noticed that Blue did another mic called the Yeti which is much more appropriate for travelling around with. It also uses USB to connect to the Macbook and so doesn’t need a separate audio interface, which was good news as that was another box that I didn’t have to bring along from the studio.

I set myself up in the corner of the bedroom with a lovely view looking out over the village, over the estuary and out to sea. To say that the view was inspiring was a bit of an understatement. I brought several unfinished songs and ideas with me and got down to some hard work. As well as recording keyboard, guitar and vocal parts I also indulged in my other favourite studio pastime – recording all the sounds that I could. I recorded the sash windows opening and closing, curtains being drawn, doors closing, lights being switched on and so on until I couldn’t think of anything left to record. I know I’ll have some fun later editing it all up and creating some interesting sounds and rhythms from it.

It was all over very quickly and soon it was time to leave and come back home again. We both agreed that we would like to do this kind of trip again as it really was very satisfying and we got a lot done.

Whether it will be to Portmeirion that we go to again next time, who knows?

I guess we’ll find out.

Stephen.

Posted by: Stephen Caulfield | October 23, 2010

Close My Eyes

Close My Eyes is a song about one of my favourite things in the world, the moment when you start to drift off to sleep. Why not have a listen to it here:

Close My Eyes actually started life as two different sections of a song, one in 6/8 time and one in 4/4. The verse section came about because (yet again) I was playing around with my Shruti Box.

Shruti Box

I set it up playing a chord that I liked then just started singing whatever melodies came into my head. After a while I came up with a number of melody lines that I liked that went well together and I went about recording them.

After this I removed the Shruti Box and started playing chords on the piano that I felt fitted the melody nicely. Once I had the chords in place I added in vocal harmony lines that followed the piano chords. I then removed the piano sound so that I was just left with a blocks of vocals.

Then I had a slightly strange, but very nice turn of events. I got talking to the comedian Rufus Hound on Twitter. He’d had a listen to my music and read one of my previous blogs about my harmoniums. He thought that it was all very interesting, but he wanted to hear some of these harmoniums that I’d been banging on about!

Okay, I thought, no problem. In fact this song may well just be the perfect thing for that. So I sat down at the harmonium and recorded the chords to section I’d been working on. However my mind being the way it is, I then got immediately distracted and started improvising some other parts. I came up with a new chord sequence and a new melody that followed on from the original section. However because I wasn’t playing to a click track or anything like that, I’d written it in 4/4 time signature as opposed to the first section, which was in 6/8. Despite a premonition of things to come, I liked this as it seemed to be where the song naturally wanted to go.

Salvation Army Harmonium

So now, as I mentioned above, I had two different sections. At first I tried to make the song transition between the two sections with an instrumental part that tried to introduce the timing change subtly. I produced a semi-complete version of the song this way, but I just couldn’t make it feel natural enough for what I was hearing in my head.

Then in the spirit of The Beatles I decided to cut the sections up and glue them back together thereby creating a new structure for the song. I split the first 6/8 section in half and that became the two verses, whilst the 4/4 section became the chorus. I must say that performing this kind of work is where modern studio technology really starts to come into it’s own. Every time I cut, copied and dragged a bit of the multitrack audio around the song I thought about how difficult this would be if I were recording to tape.

After only a few hours work I had come up with a completely new structure for the song and the good news was, I thought it was awesome. Now I just needed to add all the instrumentation and vocals to make the song sound the way I wanted.

At first I came up with a little concept in order to try and encourage some creativity from myself. When I had written the blog on my harmoniums, I had called it Windpower. This was partly in reference to a Thomas Dolby song that I really like, but also because of the bellows you pump with your feet that generate the harmonium’s sound. I thought that this would be an interesting concept for the recording of this Close My Eyes, if I could only use sounds that were windpowered in some way. I also thought that saying a song was powered by my own wind was funny, because I’m very childish and stupid.

I pretty much recorded everything I could that was in some way powered by wind. I recorded my smaller harmonium playing a variety of parts.

Small Harmonium

I recorded my melodica playing chords and also a lead line during the middle instrumental section.

Hohner Melodica Student 32

I then started recording any other noises I could find. I recorded the noise of pedals on the big harmonium being pressed, the creaking noise of the wooden bellow moving on the smaller harmonium, the sound of air being blown down the tube on the melodica. I went back to an idea I had used previously on Tonight and recorded lots of sounds of breathing. I used these sounds to build up percussion and rhythm parts. I also recorded lots and lots of wordless vocal parts in harmony which I used to build up a kind of human harmonium sound.

Although the song was coming together quite nicely, something wasn’t right. This song felt like it needed to build up more as it went along and I just couldn’t make that happen with the instrumentation I was using. So as quickly as I had taken to the concept of windpower, I decided I that I needed it no longer. I’m shallow like that.

I began to add instruments to the song that filled it in dynamically the way I could hear in my head. I added some bass guitar (using Spectrasonic’s Trillian) and then broke out my Telecaster to add a number of guitar parts.

Fender Telecaster

One of the guitar parts was a repeating upwards scale, I felt that this part really helped to make the transition in time signature between the two parts and also provided a great counter-melody to the lead instruments in the middle and end sections of the song.

I also added lots of other percussion and drums sounds to help to beef up the rhythm of the track. I added foot stomps, hands claps, timpani and other drum sounds. I wanted to add a shaker part, but I couldn’t find anything that had the right clunkiness I was after. Then I grabbed hold of the rainmaker that Wanda had got me for Christmas.

Rainmaker

I found that when I shook it gently the little plastic wheels inside would turn around and squeak and all the balls at the bottom provided an excellent shaker sound. This was exactly what I was after and it became the central point of the percussion tracks that all the others hang off. It’s this noise that you can hear right at the beginning of the song and again at the end, although it is in fact playing all the way through.

For the second chorus I started playing around with drum loops. I started adding more and more drums loops on top of each other as the chorus moves along. Each drum loop is more heavy and compressed than that last and by the end of the Chorus there are about 15 drums loops playing simultaneously, which I’m quite happy to admit, is bit over the top. They make a great noise though.

Finally I started playing around with a new virtual instrument I had recently bought. Native Instruments’ Session Strings.

Native Instruments - Session Strings

This is one of the first string libraries I have found that seems to sound amazing as soon as you play a note. Then once you delve into it, you can fine tune the sounds to be exactly as you want them to be. I used this for the string section at the end that mirrors the melodica solo in the middle of the song.

And that was that. A mere 3 months after I had started, I was finished. I guess I’m not exactly a fast worker.

I hope you enjoy the song, Wanda told me it’s her favourite. I wonder if Rufus will like it?

Stephen.

Posted by: Stephen Caulfield | September 19, 2010

Tonight

On the September 20th 2010 my second single Tonight will be released. To celebrate this I thought that I should tell you a little bit about the song and how it was recorded. Firstly here it is, why not have a listen to it? (Or buy it if you’re feeling generous):

Tonight is actually a fairly old song that I have had knocking around in various versions for years. In a similar way to Make It Better, the song started life a fairly rough guitar and vocal demo that I recorded in my bedroom on a 4-track tape machine back when I was considerably more youthful.

Tonight - Front

As with many of my songs, I have gone through a number of different arrangements and recordings before I was happy with the final version. I really wanted the songs to have a dreamy, swirly quality with lots of strings and harmonies. I think that I managed to get there in the end.

Tonight - Back

While I was recording Tonight, I became a little bit obsessed with a with a piece of studio equipment known as a Harmonizer, made by the company Eventide. There have been a number of different models over the years but they all have the same basic look, with a keypad and dial on the right and a screen with four buttons underneath on the left.

Eventide H3000 Ultra-Harmonizer

The reason I became curious about them was that I noticed that seemingly whenever I saw a photograph of the inside of a professional studio, I could always see a Harmonizer in a rack somewhere in the studio. This is probably partly because they all share the same look I described above, but despite that they just always seemed to be present. I have only actually visited a proper studio a few times, I have always been more of a DIY music maker myself, but I remember one occasion where my Dad took me to visit Duran Duran in the studio. They had converted a house in London into a studio and they were recording The Wedding Album (the one with Ordinary World on it).

Eventide Ultra-Harmonizer DSP4000

I remember quite distinctly that next to the mixing desk there was a rack of equipment and there were a number of Harmonizers in it. But what is a Harmonizer? I remember asking my Dad on the drive back home and he told me that were effect units, they did pitch-shifting, reverb, delay, chorus and so on, and they very expensive indeed.

I think it must have been the name that kept rattling around my brain, a Harmonizer. I’ve always had a big thing about harmonies and in my head I think these units started to morph into effects units that could automatically create lots of lush harmonic arrangements for you. When my interested in them got reawakened I though I’d investigate them a bit more.

We’re in the age of the internet now, there’s probably lots of information about them on the net now, probably loads of videos on YouTube. I’m sure I’ll even be able to pick up an old unit on eBay for next to nothing, in fact there will surely by now be a virtual plugin version that I’ll be able to use on my computer.

Well it turns out that I was right and wrong about all those things. There is information about Harmonizers on the internet, but to be honest it’s few and far between. You can find old units on eBay, but even the 30 year old models still go for an eye watering amount of money. When I looked on YouTube though, I thought that I had finally stumbled on to some good news. There is a virtual plugin version made by Eventide themselves and there is a video showing the different kinds of effects it can do.

It looked very interesting, I particularly liked the doubling effects on the vocals and guitars. The other thing I noticed on YouTube was the 90% of the videos uploaded about Harmonizers were about guitar effects. When I went to the Eventide website though, I discovered a problem. Not only are the plugins very expensive indeed, they are also only compatible with Pro Tools HD systems. Unfortunately this means that as well as buying the Pro Tools software, you also have to buy seom very expensive hardware that goes with it.

Sadly that puts it significantly out of my budget range and I don’t really fancy remortgaging the house right now. Pro Tools HD systems really still are in the realm of the professionals and although home recording has advanced much over the past decade and things have become cheaper and more available than ever before, it would seem that Eventide would still like their effects and equipment to remain there for the foreseeable future. Oh well, if Eventide change their mind ever, I’ll be waiting.

I’m not going to give up there though, I thought. I emailed a music magazine I really liked called Sound On Sound about Harmonizers and they pointed me in the direction of some other plugins that perform effects similar to what Harmonizers can do. I took a look at Discord 3 by Audio Damage which was very good indeed and did some very nice effects.

Audio Damage Discord 3

Somebody also pointed me in the direction of an effect that I already owned, but had completely overlooked. I already use Guitar Rig 4 by Native Instruments for most of my guitar recording, I used it a lot on Make It Better as well. However there is an effect called Christal that I never really explored.

Guitar Rig 4 - Christal

This effect is similar to one of the classic Harmonizer pitch-shifting delay effects. I plugged my Telecaster in and started picking out the chords to Tonight. Suddenly I felt the whole tone of the song change and it was much more in tune with what I wanted the song to sound like in my head. I ended up dumping everything I had done up to that point and started again with everything based around that guitar part.

The song now had a much more dreamy organic feel and I started adding more and more instrumentation very quickly including strings, electric piano, lots of vocals and more guitars. Inspired in part by Imogen Heap, I added a lot of percussion sounds made from sounds I recorded of myself including breathing, clicking fingers and so on. I’m fairly sure there is even some beard stroking in there at some point.

And that was that. I decided that this version of the song was bar far the one that I liked most, so I locked it down and stopped myself tampering with it any further. Finishing this song was actually one of the things the convinced me to actually stop tinkering with my songs, but to finish them off and start releasing them to everybody else.

I do hope that you enjoy,

Stephen.

Posted by: Stephen Caulfield | August 15, 2010

Joe Dooley – Taller Than Stories

I received something very nice in the post the other day. For the past couple of years I have been working with my uncle Joe Dooley on an album of his songs. They are performed by just Joe with his guitars and produced and mixed by me. Joe had written a number of story songs and though that together they would make a great album.

I’m very pleased to say that the album is now complete, Joe has had them manufactured and my copy is in my hands right now. The album is called ‘Taller Than Stories’ and looks like this:

Joe Dooley - Taller Than Stories

Joe has written some great sleeve notes about each of the songs on the album which are very interesting. I must say that I really do love the artwork, in particular the back cover with the names of the songs on the book spines:

Joe Dooley - Taller Than Stories (Back Cover)

The album was great fun to record and involved a lot of tea drinking and biscuit eating. Joe would come round to my studio with his acoustic guitar, for some songs we used his Lowden and for others we used his Martin. We’d tended to record the guitar part first and once we were happy with the take we’d record the vocal.

When recording vocals I always like to make sure that I record a few alternative takes, even if the first one happens to be really great. This is because it’s only later when you starting editing the vocals that you might notice an odd noise or a strange inflection that you hadn’t spotted at the time it was recorded. Re-recording vocals later is troublesome because you have to take time getting the same levels and mic positioning so they vocal match each other. Fortunately this didn’t happen to much. Having lots of takes is also good for comping them together to produce the best overall take.

Joe Dooley

After Joe and I had finished recording he would leave and I would get on with producing and mixing the songs. This is pretty much a solitary operation for me and to be honest, that’s exactly the way that I like it. I edit all the takes, choose EQs, Compressors, Reverbs and so on that I think sound nice and suit the songs well. I then mix the tracks down and master them with some more EQ, Compression and Limiting and send copies to Joe to see what he thinks.

Fortunately for me Joe was very happy with how the songs turned out and we only needed to make a few final tweaks and everything was good to go.

The only exception to this was the last track on the album, Nadesan and Perumal. For this song we decided to ‘band up’ and I added Drums (NI’s Battery 3), Bass (Logic’s ESX24), Piano (NI’s Akoustik Piano) and Hammond Organ (NI’s B4II) and Joe added some rather splendid Harmonica. We thought that this would be a nice ending track for the album.

Joe Dooley

I’ve made a sampler for the album which contains a little taster of each of the songs. You can have a listen here:

I hope you enjoy what you hear as much as we enjoyed making it.

Stephen.

Posted by: Stephen Caulfield | July 27, 2010

Mic Check

I am a big fan of what computers can do in terms of creating virtual versions of instruments and effects. As a result of this I have been able to use sounds that I never would never have been able to get hold of in the real world, let along afford. Recently however, without even really realising it, I have found myself recording lots of real instruments and sounds again.

Over the past few weeks I have been recording harmoniums, melodica, shakers, tambourine, shruti box, my rainmaker, guitars and vocals. Lots and lots of vocals.

All this frenzied recording activity has also given me the chance the break out all my different microphones and really get to know what they’re good for. It sounds a bit weird, but I find that mics have very different characteristics from one another, even when they are essentially the same type of mic.

I guess that it is a little bit like guitars. In general they all have six strings and the same notes on the fretboard, but they can be categorised into the way that they amplify the sound of the strings, for example acoustic and electric guitars. You can then take this further and start to talk about the differences in sound between types, for example a Fender Strat and a Gibson Les Paul. Then you can really get geeky and start discussing why a USA Strat is different to a Japanese Strat. Something which I’m sure you can find many opinions about if you were ever foolish enough to Google it.

I think that microphones are very similar to this. Firstly you have the different varieties of transducers that are used in mics to convert the sound into an electric signal. There are many types by the main ones in music are condenser, dynamicribbon, and piezoelectric.

After this you can start to categorise by manufacturers such as Neumann, AKG, Shure and Sennheiser. After this you can look at variations in the way the mic works, for example large and small diaphragm, or different polar patterns. Then in case we hadn’t got there already, it’s into geek land once again with discussions of why a Shure SM57 will be better on a guitar amp than an SM58.

So what have I learnt from all this? Well pretty much the same thing that every review of a half decent microphone in any magazine always sums up with, whether it sounds good depends on what you’re recording. When it comes to vocal mics, the tone of your voice can mean that one mic sounds amazing with one person, but dull and lifeless on somebody else.

It has been great fun using all my microphones and finding out which ones are good for which jobs.

My main vocal mic is a Blue Bluebird:

Blue Bluebird

I use this mic for all of my lead vocals. It is a very high signal mic that can deal with a lot of different dynamics. I find that it gives my vocals a little bit of extra lift that helps them sit on top of the mix easier.

The next mic I have is a Rode NT2-A:

Rode NT2-A

This is a very smooth and warm sounding mic. It sounds really nice when recording acoustic guitar. I also record quite a lot of block harmonies with it as it help the different vocals blend together with one another. It also has a choice of three different polar patterns, high pass filters and pads, which makes it very versatile.

Next up is Behringer B2 Pro:

Behringer B2 Pro

This was the first ‘studio’ microphone that I bought. To be honest it’s a budget model so it was never going to sound amazing or anything. It has quite a stark sound that I don’t really like on vocals, however I have found that it works really nicely with my harmoniums.

Finally we have the classic Shure SM58:

Shure SM58

This mic is an industry legend. Partly because of it’s classic sound, but also because of it’s affordability. I use this mic on guitar amps and percussion. However I also use it as the vocal input for my vocoders.

Well there you go, that how I get sounds into the computer. Maybe next time I’ll tell you what I do with them next.

Testing, 1, 2, 3…

Stephen.

Posted by: Stephen Caulfield | June 13, 2010

Gone

Well last week saw the release of my first single, Make It Better, which was very exciting indeed. But apart from that, it also saw the release of my first B-side, Gone.

In these days of downloads and streaming, what the hell is a B-side anymore anyway? It obviously used to refer to what was on the other side of the 7″ vinyl single that backed up the lead song on the A-side. Some people like The Beatles and Elvis also used to release double A-sides, but I’m going to ignore them for now because if something doesn’t back up your theory you should ignore it and hope no one else notices.

I guess you could class a B-side as a track that doesn’t fit on to an album. This may be because it doesn’t fit in with the style of the album, it’s still at demo stage, you ran out of time in the studio or you simply don’t think it’s good enough to go on the album.

In the case of the track Gone from the Make It Better single, it’s kind of a case of all of the above and none of the above. This is quite a good indication of what a decisive kind of chap I am, especially as I may put it on to the album after all.

Perhaps I should explain a little. If you haven’t listen to Gone yet, it’s a simple little piano instrumental with a repeating descending phrase with a number of other melodies played over the top in turn. Have a listen here:

I wrote the music on a day when I had heard some very sad news. I went up to my studio thinking that I wouldn’t write any music that day because I was feeling sad and a bit emotional. However I started playing the piano and it all just came out and I recorded it very quickly.

I was playing a virtual piano instrument called Pianoteq by Modartt.

Pianoteq

I have to say that this instrument is the closest I have come to a real piano in the virtual world. Rather than using samples of a real piano like the majority of virtual pianos, Pianoteq uses physical modelling to simulate the sound using a set of equations and algorithms. To my ears it sounds absolutely brilliant, but more important than that, it’s really playable just like a really nice real piano.

So I loaded up Pianoteq in Logic Pro on the computer and started playing away. Before I really realised what I was doing I had recorded the descending left hand part. I started improvising different melodies with the right hand until I had a few that I really liked, then I organised them so that they told out a little musical story that fitted the way that I was feeling.

Next I added a few more instruments to flesh out the sound a little. I used Pianoteq again to add some Fender Rhodes Electric Piano to the middle section. I added some slow and legato strings sounds using Spectrasonics‘ Omnisphere and Native Instruments’ Kontakt 4 to add to the mood. I then added in some pad sounds, firstly using Absynth and then with a synth that is part of Reaktor 5 called SubHarmonic.

Native Instruments Reaktor 5 - SubHarmonic

I really do love this synth a lot. I think of it as the Blade Runner synth, everything sounds very eerie, spooky and majestical. Finally I added some drums using the Jazz EZX brushes kit in Toontrack’s EZdrummer,

EZdrummer - Jazz EXZ Kit

This is a really lovely sounding drum kit that I find myself using a lot. I added a big dose of hall convolution reverb using Space Designer in Logic Pro to keep the kit in character with the other instruments and that was that. It was all finished just as quickly as it started.

At the time I had the intention that I would come back to the track and turn it into a full song by turning the melody into a vocal and writing some lyrics, however every time I have tried I just don’t seem to be able to make anything work.

So that’s pretty much how it ended up being a B-side, because I still don’t know what to do with it. I do honestly think that it is one of the nicest things that I have written. There is certainly something to be said for it being left they way it is, reflecting the emotion of the moment that it was written in. However that’s not to say that there isn’t more to come by working on it more.

Maybe I will put it on the album after all.

See, I told you I was decisive.

Stephen.

Posted by: Stephen Caulfield | June 3, 2010

My First Single

I’m a very excited Stephen today, although I’m less excited now that I have referred to myself in the 3rd person. This is something I promise myself that I won’t do, isn’t it Stephen?

Anyway, I’m very excited because today my first single, Make It Better has been release and is available for people to buy. You may remember that I previously wrote a blog about the recording of this song.

Stephen Caulfield - Make It Better

It certainly is a very nice feeling to type your name into iTunes or Amazon and see something you have made appear before your eyes. I have bundled Make It Better up with a B-Side called Gone that I am very fond of. There are also two alternative mixes of Make It Better, an Acoustic Mix and an Instrumental version.

The Make It Better single is available in lots of different online stores including iTunes, Amazon, emusic, 7Digital and Play. If you do happen to buy yourself a copy, then please accept my immensely warm gratitude.

Enjoy,

Stephen.

Posted by: Stephen Caulfield | May 18, 2010

Windpower

Last week we had a week off on holiday to have a bit of a rest and I thought that this would be an ideal time to get stuck into some studio time. Firstly I thought that I would take a look at trying to repair my old harmonium. I bought it for a bit of a steal from somebody on eBay many years ago and according to them it used to be used by a Salvation Army band as they travelled around the place. This is because although it has a full size 49-key keyboard, it can be folded up into a, admittedly pretty heavy, suitcase sized box then be carried about.

It has a lovely sound that you make by pumping the bellows using a couple of foot pedals. Although it is in tune with itself as a whole it is a bit of sharp of concert pitch A440, but with retuning software like Celemony Melodyne that isn’t really a problem for me anymore. Must have been hell for the Salvation Army brass section though.

Anyway, I was playing away on the harmonium a few years back and there was a big crunching sound and when I looked underneath I saw that one of the two bellows had ripped away and torn open. Being the kind chap that I am I obviously immediately packed the harmonium away and though, ‘I’ll deal with that later’.

Well last week was that time and I unpacked the harmonium and attacked it with a hammer, a screwdriver, lots of screws and a healthy dose of superglue. To my genuine surprise my efforts did actually succeed and it is now sounding as good as it ever was.

Salvation Army Harmonium

Flushed with my own success I then obviously decided that the next thing I needed to do was spend some money on eBay. The first thing I got was something that I have actually been meaning to get for ages but always forget about when I am actually looking to buy something, a melodica. I got a Hohner Student 32 model and I think it’s brilliant.

Hohner Melodica Student 32

It’s basically a very simple free-reed instrument like an accordion or a harmonica and you blow into it to power it. I like it so much that I’ve already recorded it and put it on to a song.

My next purchase from eBay was something I’d been thinking about getting that would be useful for performing live. When I perform live I tend I generally play guitar and sing. However I also really enjoy playing piano and keyboards, but I don’t really have a way of easily bringing a piano or keyboard around with me, especially when playing acoustically. As I mentioned above, my harmonium is portable, but to be honest it’s too heavy to travel around with and the tuning issue means anybody else would have to tune to me.

However after looking around I saw that there are some really nice travel harmoniums around that easily be carried about the place and aren’t all that big or heavy. I also found a few that had a shruti box built into them. Well I don’t need to be tempted twice, so through eBay I got myself one of those too.

After it arrived it was clear that perhaps I should have been a little bit more considered in my purchase. Despite being cocooned in more bubble wrap, polystyrene and cardboard boxes than I every thought it possible to wrap something in, when I open it up I saw that was of the keys was stuck down. Hmmm. Well it would seem that this was the tip of the iceberg when it came to repairs that needed to be made. I ended up having to take all the screws out and completely open it up.

Small Harmonium - Opened up

I determined that one of the springs that holds the pads down was busted, hence the stuck down key. I managed to fashion a new spring out of the old one and moved it to a key down the end of the keyboard that I am much less likely to play, so hopefully it won’t go again. All good I though, so I closed it back up again.

However when I pumped the bellows there was a note playing despite none being pressed down and it was different to the note I’d just fixed. I opened it back up again and couldn’t find anything wrong, so closed it again, played it and all seemed fine. Then, and I swear this is true, I sneezed and suddenly the problem appeared again. After opening and closing the harmonium another two times with the problem coming and going on various different notes, I think it’s fairly safe to say that there was a rather long bout of some very colourful language.

I opened it up one last time (so I had promised myself) and this time I found what the problem was. The pads were taped and glued to the sticks that were themselves screwed into the keys. However a number of the pads had got loose and were turning sideways meaning that were not covering the holes in reed board all the time and this meant that their associated notes could be heard despite the keys not being played. Two keys in particular were suffering so I took them out and gave them a more than healthy dose of superglue.

Small Harmonium - Troublesome Keys

In fact I thought it would probably be a good idea to give each key a touch of TLC, so I went through them all and made sure that they were all okay. I then close the harmonium up again and joy of joys, it was now working perfectly. I’m thinking that if all else fails I could always go into harmonium repairs.

Small Harmonium - Working At Last

So despite all this repair work I did actually find some time to write and start recording two new songs as well, which made me very happy indeed. One is called ‘Daylight Breaking Through’ and the other doesn’t really have a name yet, but it might be called ‘Close My Eyes’.

When is my next week off?

Stephen.

Posted by: Stephen Caulfield | May 9, 2010

BBC Introducing Radio Interview

As I wrote about in my last blog, I was recently invited on to BBC Radio Berkshire’s The Session radio show. This all came about because I uploaded some of my music on to the BBC Introducing website via their Uploader. The way it works is that after you have uploaded some music it gets sent to the BBC Introducing show on your local BBC radio station, in my case this is BBC Radio Berkshire. If they like it, then hopefully they will play it on the air.

This is exactly what happened to my track Make It Better. It was one of 4 tracks played for 30 seconds in the Demo Panel section of the show and was chosen to be played in full. As I am sure you can imagine, I was chuffed to bits about this. After getting in contact with the show’s presenter Jenny Minard, I was then invited on to the show the following week to be ‘In Session’. This meant I would be interviewed in the studio and they would play a couple of my tracks. As I’m sure you can imagine, I was even more chuffed to bits than the previous time that I was chuffed to bits.

I was a little bit nervous before the interview, but also very excited. BBC Radio Berkshire is in Caversham on the outskirts of Reading, Berkshire and is housed in the very lovely and grand Caversham Park.

Caversham Park - BBC Berkshire

After arriving I met Jenny and she was very nice and friendly. We had a bit of a chat about what we would talk about in the interview and I gave her a copy of my CD with the two tracks that I wanted to play, Make It Better and Tonight. I was given the option of either playing the songs live acoustically, or from a CD. After having a run through at home with my guitar, I decided that I would go with the CD option. I have been recording these songs for a long time now and spending so long making sure the production is good. It suddenly seems silly to pass up playing them on the radio in the way that I want them to be heard.

We did the interview in two parts with one of my songs played at the end of each. The interview was a pre-record which was good as after about a minute I forgot about the BBC rules and started babbling on about how great it is to make music on an Apple Mac and then sell it on iTunes. Whoops! A bit of Apple advertising there. So we went back and did that bit again.

Big Cheesy Grin Please

I think that the interview went really great. I talked about how I make music in my studio, my album Parkview, my collection of odd instruments, my love of recording harmonies, making artwork, Twitter and my thoughts on the Reading Festival. Talk of my Shurti Box seemed to go down very well, both with Jenny during the interview and also with all the people that listened to the interview. I even had bring it in to work and do a bit of a show and tell.

Where am I again?

The interview was broadcast live on BBC Radio Berkshire on the 2nd May 2010 and was also available online on the BBC iPlayer for a week after the show. This was great as it meant that all my friends and family around the country could also listen to it. The feedback has been really great, thanks everybody!

The interview was also written up as an article on the BBC website and if you would like to have a read, you can find it here.

So all in all, it was a great experience that I really enjoyed and would love to do again. In the meantime I guess that I should get on with making the rest of my album.

Stephen.

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